![]() STK was designed to facilitate rapid development of music synthesis and audio processing software, with an emphasis on cross-platform functionality, realtime control, ease of use, and educational example code.Īrturia Pigments Polychrome software synthesizer: Scavone is a set of open source audio signal processing and algorithmic synthesis classes written in the C++ programming language. (C++ Library) (OSS, free) The Synthesis ToolKit in C++ by Perry R. Granular Synthesis Plug-ins (mostly VST): It contains a bunch of modules, which you can connect together to create sounds, including a granular synthesis module (sea of grain). (Win/Mac/*nix) Bespoke is a software modular synthesizer. Music Programming Environments that have Granular Synthesis Capability: (iOS) Tardigrain is a granular synthesiser for iOS that runs standalone or as an AU plugin. (iOS) you can transform any sound into a playable musical instrument via Granular Synthesis (iPad) Real-time software capable of all time-domain varieties of granular synthesis (Glisson, Pulsar, Grainlet, Trainlet) by apeSoft (iPad) Multi-streams real-time granular playground able to generate a wide range of usual and not so usual effects by apeSoft (Win) (free) The Atomic Cloud Grain Cloud Generator takes an audio file as input, and generates a granular synthesis grain cloud in real time. (CSound) (free) Partikkel csound opcode desigedn by Oeyvind Brandtsegg, implemented by Thom Johansen and Torgeir Strand Henriksen, with a vast array of parameters to tweak. (Mac-PPC only) Real-time granular synthesizer, OSX-PPC updated version of the Real-Time Granular Synthesizer for Mac OS8. (Win/Mac) (free trial) : Real-time improvisation software with 6 loop players each with granular synthesis and many other effects. (Win/Mac/*nix) (free) Developed by Tim Opie using jMusic, it runs online, if you have java enabled.(does anyone now?) (Win) (free) Developed by Nicolas Fournel (currently offline - hoping it will be back soon) AudioPaint can therefore be considered as a massive additive synthesizer. The program reads JPEG, GIF, PNG and BMP files and translates each pixel color and position into frequency, amplitude and pan information. AudioPaint generates sounds from pictures. ![]() ![]() (Win) (free) Developed by Nicolas Fournel. The classic painting functions take a whole other dimension, as they create melodies and rhythms in the musical domain. The concept behind Blip is to create innovative sounds and loops by drawing with the usual graphic tools (pencil, airbrush, line…). (Win/Mac) (free) Developed by Rajmil Fischman, real-time asynchronous granular synthesis of four seperate sound buffers. (Win) (free) Developed by Rajmil Fischman, the AL.gorithmic Compositional Environment in conjunction with ERWIN applies the solutions of Schröedinger’s equation for an atomic potential with radial symmetry (a well-known equation from Quantum Mechanics) to the creation of granular clouds. MacPOD is named in honour of the original POD GSAMX system developed by Barry Truax at Simon Fraser University. (Win/Mac) (free) MacPOD/WinPOD by Chris Rolfe and Damián Keller generates a wide range of effects from time compression/expansion to richly varied spectral transformations. (Win/Mac and M4L plugins) (Lite version free) Microsound Prototypes of Granular Synthesis (Glisson, Pulsar, Grainlet, Trainlet) by apeSoft (Win/Mac and M4L plugins) (Lite version free) Asynchronous sampled/live granular synthesis by apeSoft (Win) (free) Developed by Rasmus Ekman, it can granulate 8 streams simultaneously. (CSound) (free) Chaosynth by Eduardo Miranda uses cellular automata (CA) to control the generation of large number of individual sonic events using a GUI in CSound. EC is an interactive real-time program, with many novel features, including modulation of synthesis parameters, multiple sound file input, and variable-Q filtering on a grain-by-grain basis. (Mac-PPC only) (free) Written by David Thall in consultation with Curtis Roads. (See Roads (2001) Sound Composition with Pulsars for more information) ![]() It generates sound particles called pulsars. (Mac-OS9 classic only) (free) Developed by Alberto de Campo and Curtis Roads. Cloud Generator synthesizes granular sounds in units called "clouds" and also "granulates" stereo sound files. (Mac-OS9 classic only) (free) Developed by Curtis Roads and John Alexander. Standalone Granular Synthesis Applications: If You know of any other software that needs to be added to the list, just Email me, and I will put it here.
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This resource ratio competition model proposed that the availability and individual demand for and rate of consumption of nutrients will determine the predominance of different taxa. Tilman later employed Monod kinetics for examining the competition between two different types of algal populations, as a function of limiting resource ratios 7. Monod’s equations were derived from extrapolations of data obtained from bacterial grown in batch cultures, but he proposed the method of continuous growth which was later used to verify many of his predictions 6. He then mathematically incorporated this relationship into the equation for exponential bacterial growth, thereby providing a model for the relationship between growth rate and the concentration of a limiting nutrient, an equation similar to the Michaelis-Menton representation of enzyme kinetics 5, 6. In defined medium, in which all but one isolated nutrient was provided in excess, he demonstrated that “total growth”, or bacterial growth yield, is linearly dependent on the initial concentration of the limiting nutrient 5. Jacques Monod, a pioneer in the study of bacterial growth kinetics, first demonstrated the relationship between limiting nutrient concentrations and bacterial growth. Nutritional resources are a focal point of microbial competition. The potential pool of microbial competitors is therefore vast, and a wide range of mechanisms can be responsible for the emergence and radiation of dominant microbial populations. Members of the rare biosphere that are amplified under favorable conditions to which they are pre-adapted can give rise to discrete, abundant populations. ![]() These approaches and others have begun to reveal that underlying the numerically dominant microbial populations is a highly diverse, low-abundance population (described as the rare biosphere, see 3 ). Tremendous microbial diversity has been revealed by new molecular methodologies such as metagenomic sequencing and deep microbial tag sequencing 3, 4. Vast numbers of microbes are present in all but the most rarified environments. Similarly, most microorganisms face a constant battle for resources. Thus, the habitat of Chthamalus was limited to areas where it could escape from competition with Balanus, an example of competitive exclusion. However, Balanus could not grow further up the rocks, due to desiccation sensitivity. If he experimentally removed the Balanus barnacles from the lower areas, Chthamalus could grow there, but upon reintroduction of Balanus, Chthamalus would eventually be crowded out by the more competitive Balanus. ![]() He found that in intertidal zones in Scotland, Balanus barnacles were always found closest to the shore, while Chthamalus barnacles grew further up the rocks. ![]() Connell’s barnacles provide a classic example 2. In animals and plants, there are a large number of well studied examples of populations which are held in balance, or driven to transition, by competitive forces. This leads to natural selection, which provides the driving force for innovation and diversification between competing organisms 1. The battle for resources through which organisms survive and pass on genes to the next generation can often be fierce and unforgiving. The high level of competition in human society in many ways mirrors the comparatively ancient and complex interactions observed at virtually every level in the natural world. In capitalist societies, competition is thought to continually hone the attributes of competing entities, improving their efficiency and defining their activities and structure. Competition is a fact of modern life, with individuals and institutions vying to gain advantage in terms of finances, material resources, and status. Examples of true charity and altruism in human societies are highly lauded, and rightfully so, but are far from the norm. ![]() ![]() Knights will collect up to seven coins in Classic / New Lands and eleven coins in Two Crowns and squires, up to five coins. A squire/knight with no coins will irretrievably lose their shield/sword when hit, becoming again a villager. Each coin acts as a health buffer for them (much like with the Monarch), protecting them against all the greed, including floaters and the boulders thrown by breeders. Squires and knights hold extra coins in order to buff their defensive capabilities. While in Shogun, a ronin will take up a katana to become a samurai.Īs a knight or samurai the warrior can hold more coins and can benefit from the Statue of Knights.įor a guide on how to keep improving the assault forces, see: Upgrading an offensive army. ![]() In Europe, a squire will take up a sword and become a knight. Up to four swords or katanas can be waiting on the weapon stand at a time. In Shogun the katanas appear on the rack with a harp sound, unlike other tools except for Ninjatos. 【 】 In Europe the swords uniquely appear in a pillar of light on four ground mounds with an eerie sound, in a likely allusion to Excalibur. Once this is done, the sword attracts one apprentice warrior, who will then become a master. To the right there is a tool rack holding multiple blacksmith's tools, and under it, four ground stands for the swords.Ī sword or katana can be purchased there for twelve coins each. In front of the building there is a rusty cast iron anvil, where a blacksmith craft the swords. 【 】 In Europe the forge resembles a large white/light-blue ancient greek kiln with a rusty iron roof. The forge may appear on the sea side or on the cliff side of the island. It is unlocked at the town center last tier, the iron keep and it requires a large enough empty space protected by an iron wall, that is, with an iron back wall (see picture).įor this the Kingdom needs the iron technology, found on the fourth island. The forge (or smithy) is required to turn an apprentice squad leader into a master. That apprentice, called squire in Europe and ronin in Shogun, is able to perform all the tasks his master can do, but he has a much weaker defense. Paying a shield to a villager turns him into a knight's or samurai's apprentice. Kingdom Two Crowns – A shield is not enough to make a knight. If they go onboard for a next island, they will split evenly after disembarking, with odd numbers favoring the dock side. Squad leaders operate on the side their shield was bought. Kingdoms can normally hire up to four squad leaders per land. Up to four shields can be waiting on there at a time, two on each side. His banner will appear torn to shreds, indicating that the owner of that shield has fallen in battle, and a new shield can be bought there. If, without extra coins, he gets hit, unlike archers with their bows, his shield simply disappears when he turns back to being a villager. If you have red and blue for colors, you will get a combo of red/red blue/blue and red/blue squires.Developer Alan The squires pick their colors randomly from your two colors. ![]() For example, when a low-intensity visual stimulus is repeatedly presented at perception threshold, the participant consciously perceives it on some but not on all trials. It can help reveal endogenous neural mechanisms underlying conscious perception, particularly if the physical stimuli remain identical in both conscious states. This basic approach has been referred to as ‘contrastive analysis’ ( Baars, 1989 Aru et al., 2012). To study NCCs, one generally tries to induce minimally two different conscious experiences using ‘consciousness paradigms’, to then measure and compare brain activity in both (with neuroimaging techniques). The neural correlates of consciousness (NCCs) have been defined as the minimal set of neuronal mechanisms that are jointly sufficient for a conscious experience ( Crick and Koch, 1990b). In this article, we focus on content consciousness, specifically in the visual modality. ‘Content consciousness’ refers to moment-by-moment experiences of a conscious being, such as the experience of seeing blue, hearing a trumpet, or the famous ‘what-it-is-like’ to momentarily be a bat ( Nagel, 1974). ‘State consciousness’ determines consciousness on a global level, for example distinguishing the extent of consciousness in coma, wakefulness, or anesthesia (e.g., Koch, 2004 Laureys and Tononi, 2010). Generally, it is useful to separate minimally two concepts of consciousness. ‘Consciousness’ can be defined in many ways (for our own taxonomy, see de Graaf et al., 2012 de Graaf and Sack, 2014). Naturally, these techniques have been tried on the oldest problem of all: the nature of consciousness. As such, our understanding of the brain has proceeded at a staggering pace. In the last few decades, progress in technology and signal analysis have resulted in new neuroimaging and electrophysiology techniques, greatly enhancing the range and resolution of brain research applications. But such results also showcase an increasingly acknowledged difficulty in NCC research the challenge of separating neural activity necessary for conscious experience to arise (prerequisites) from neural activity underlying the conscious experience itself (substrates) or its results (consequences). This review of oscillatory correlates of consciousness suggests that, for example, activity in the alpha-band (7–13 Hz) may index, or even causally support, conscious perception. We also discuss how increasingly sophisticated techniques allow us to study the causal role of oscillatory activity in conscious perception (i.e., ‘entrainment’). We provide an overview of oscillatory measures that appear to correlate with conscious perception. In this paper, we focus on spontaneous brain oscillations rhythmic fluctuations of neuronal (population) activity which can be characterized by a range of parameters, such as frequency, amplitude (power), and phase. Empirical research on these NCCs covers a wide range of brain activity signals, measures, and methodologies. 2Maastricht Brain Imaging Centre, Maastricht, NetherlandsĬonscious experiences are linked to activity in our brain: the neural correlates of consciousness (NCC).1Department of Cognitive Neuroscience, Faculty of Psychology and Neuroscience, Maastricht University, Maastricht, Netherlands. ![]() There, you'll find detailed descriptions of all the services available, as well as information about the salon's team of professionals and the high-quality products used in all treatments. If you have any questions, comments, or feedback, don't hesitate to contact the salon directly by calling (970) 749-5427. The salon is located at 3057 Main Ave, in Durango, and customers are welcome to stop by in person to meet the team and tour the facility before booking.įor more information about the services offered at Highland Nails, visit the salon's website at. 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The salon is home to a team of highly trained and skilled nail technicians who are dedicated to delivering superior finishes and top-notch customer service during every visit. Located in Durango, Highland Nails is a highly respected and well-known nail salon that has built a reputation for providing exceptional nail care services in a friendly and relaxing environment. ![]() Adobe Photoshop is raster based software best used to create and edit 2D raster based images such as photographs. Adobe Illustrator is vector based software and best used to create 2D artwork such as posters, packaging etc. ![]() Selecting a region changes the language and/or content on . Adobe Photoshop utilizes pixel-based raster graphics. This means that the two files are technically independent, but everything in an Illustrator file will show up in a Photoshop file.įor instance, a creator could make a vector graphic in Illustrator and link that to a Photoshop file of someone wearing a blank t-shirt. With other Creative Cloud apps, even video editing or animation can be a part of a single digital workspace.Ĭreators can link Illustrator files to Photoshop files. And the opposite is true too - a graphic design project in Illustrator can easily fit into a larger photo project in Photoshop. Photoshop files can incorporate assets made in Illustrator, integrating an image created as a vector file into a raster file. Illustrator and Photoshop are both part of Adobe Creative Cloud and are designed to work together. When to use Illustrator and Photoshop together. Raster images tend to have more detailed colors and shading than vector images, and they tend to handle detailed textures and precise edits better than vector graphics. Unlike vector images, they are pixel-based. It’s also where skilled artists can create collages and photo composites, layer images together, and craft original images out of different photo files. Photoshop is where editors crop photos, adjust photo composition, correct lighting, and make any subject imaginable look its absolute best. ![]() Photoshop is the industry-standard photo editing software, and the go-to application for everything from small retouching changes to mind-bending photo art. An artist’s intuition and personal style is a powerful asset for creating distinctive images, and Illustrator allows artists to create with virtual brushes, pens, inks, and other powerful tools on a variety of digital surfaces. This makes Illustrator a very good application for graphics that are going to be printed on signs or banners.ĭesigners using Illustrator can create graphics and images freehand, using a stylus and digital drawing tools. Vector art can appear on everything from enormous banners to wallet-sized business cards, and everything in between. |
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